The Annual Whitehall Lecture Series presents Architects of the Gilded Age, at 3:00 p.m. each Sunday afternoon from February 5th to March 19th. Experts and authors will speak about the architects that were responsible for some of the most iconic structures built during the Gilded Age, the golden era of a booming economy, and rapid scientific and technological advancement.
When possible, each lecture will be followed by a book signing with the author. Visit the Museum Store for a wide selection of books related to the Whitehall Lecture Series.
Website visitors can now watch the lectures via a Livestream broadcast. There is no charge to watch the Livestream lectures.
The Whitehall Lecture Series is sponsored by:
The Influence of the École des Beaux-Arts in America
By Dr. Laurie Ossman
3:00 pm, February 5, 2023
École des Beaux-Arts refers to a number of influential art schools in France. The term is associated with the Beaux-Arts style in architecture and city planning that thrived in France and other countries during the late nineteenth century and the first quarter of the twentieth century.
The most famous and oldest École des Beaux-Arts is the École nationale supérieure des Beaux-Arts in Paris, now located on the city's left bank across from the Louvre, at 14 rue Bonaparte. The school has a history spanning more than 350 years, training many of the great artists in Europe. Beaux-Arts style was modeled on classical "antiquities", preserving these idealized forms and passing the style on to future generations.
The presenter, Dr. Laurie Ossman, joined the Antiquities Coalition Advisory Council in May 2017. Previously, Laurie was the Director of Museum Affairs at the Preservation Society of Newport County. She oversaw the curatorial, conservation, interpretation and academic initiatives at the Preservation Society’s 11 historic properties – seven of them National Historic Landmarks – which range in date from the mid-18th to the early 20th centuries.
Dr. Ossman has also served as Director of Woodlawn Plantation and Frank Lloyd Wright’s Pope-Leighey House in Alexandria, Virginia, during which time she was an affiliated fellow of The American Academy in Rome in historic preservation. She previously served as Deputy Director of Vizcaya Museum and Gardens in Miami; Chief Curator at the Henry Morrison Flagler Museum in Palm Beach, Guest Curator of the Maryland Historical Society’s “Looking for Liberty” state history overview exhibition and Curator and Restoration Project Manager for Cá d’Zan, the Ringling mansion at the in Sarasota, Florida. In addition, she has held research positions at The Smithsonian Institution and The Curator’s Office at The White House.
Dr. Ossman will draw on her wealth of experience as she presents a lecture about the École des Beaux-Arts and its classic style of architecture.
The Architecture of Horace Trumbauer: "The Standard, Metropolitan and Authoritative Thing"
By Dr. David Brownlee February 12, 2023, 3:00 pm
Horace Trumbauer (December 28, 1868 – September 18, 1938) was in many ways the most enigmatic architect of America’s “Gilded Age.” Although he left school when he was 14, by the time he was thirty he had built palatial homes for some of the nation’s wealthiest families, and his office would produce more than 800 designs over the next forty years. In addition to great houses, this included important public buildings such as the Widener Library at Harvard, the Philadelphia Museum of Art, the Free Library of Philadelphia, and the two campuses of Duke University. Trumbauer’s list of clients included many who wintered in Palm Beach, among them the Phippses, Stotesburys, and Wideners. And in 1925 he was commissioned to design the First Church of Christ, Scientist. Like many successful architects of his day, Trumbauer worked in many styles: Tudor, Italian Renaissance, Palladian, English baroque, Georgian, and French neoclassical. His versatility and quiet competence led the author of a long, admiring review in Architectural Record in 1904 to call his work "the standard, metropolitan and authoritative thing.” But Trumbauer never discussed his work or explained his thinking, and his design methods and the precise authorship of the buildings created in his thirty-person office have been difficult to discover.
Recent research has begun to cast light on Trumbauer’s artistry and the complex collaborations that he orchestrated. Among the important aspects of this teamwork was the key role played by Julian Abele (April 30, 1881 – April 23, 1950) the first African-American graduate of the architecture program at the University of Pennsylvania and the chief designer in Trumbauer’s office. Abele’s artistry was a vital ingredient in some of the firm’s most significant buildings, and despite racial prejudice and Jim Crow restrictions, his role was clearly visible and appreciated by many clients and fellow architects.
David Brownlee is a historian of modern architecture and urbanism in Europe and America. He has taught for his entire career at the University of Pennsylvania, where he won the Outstanding Teaching Award of the College Alumni Society and the university’s Lindback Award for Distinguished Teaching.
He has written about the nineteenth-century architecture of Britain, Germany, and France, and an important focus of his scholarship is the architecture and planning of Philadelphia. He has won major publication prizes of the Society of Architectural Historians (USA), its British counterpart, and the American Institute of Architects. He was named a Fellow by the SAH in 2015, which in 2020 established the international Brownlee Dissertation Prize in his honor.
Active in civic affairs, Brownlee served for 15 years on the Philadelphia Historical Commission, and he is now on the boards of the Preservation Alliance for Greater Philadelphia, the Athenaeum of Philadelphia, the World Heritage City project of the Global Philadelphia Association, the Beth Sholom Preservation Foundation, and the Design Advocacy Group. He is a recipient of the Wyck-Strickland Award and the Philadelphia AIA’s Paul Philippe Cret medal.
Memory and Imagination: Stanford White in Detail
By Samuel G. White, FAIA, LEED AP
3:00 pm, February 19, 2023
Stanford White (November 9, 1853 – June 25, 1906) was an American architect. He was also a partner in the architectural firm McKim, Mead & White, one of the most significant Beaux-Arts architectural companies. He designed many houses for the rich, in addition to numerous civic, institutional, and religious buildings. His temporary Washington Square Arch was so popular that he was commissioned to design a permanent one. His design principles embodied the "American Renaissance".
In 1906, White was shot and killed at the Madison Square Theatre by Harry Kendall Thaw, in front of a large audience during a musical theatre performance. Thaw was a wealthy but mentally unstable heir of a coal and railroad fortune who had become obsessed by White's alleged drugging, rape and subsequent relationship with his wife Evelyn Nesbit, which started when she was 16, four years before their marriage. She had married Thaw in 1905 and was a famous fashion model who was performing as an actress in the show. With the elements of a sex scandal among the wealthy and the public killing, the resulting sensational trial of Thaw was dubbed "The Trial of the Century" by contemporary reporters. Thaw was ultimately found not guilty by reason of insanity.
Julia Morgan: The Most Accomplished Female Architect of Her Time
By Dr. Karen McNeill
February 26, 2023, 3:00 p.m.
Julia Morgan (January 20, 1872 – February 2, 1957) was an American architect and engineer. She designed more than 700 buildings in California during a long and prolific career. She is best known for her work on Hearst Castle in San Simeon, California.
Morgan was the first woman to be admitted to the architecture program at l'École nationale supérieure des Beaux-Arts in Paris and the first woman architect licensed in California. She designed many edifices for institutions serving women and girls, including a number of YWCAs and buildings for Mills College.
In many of her structures, Morgan pioneered the aesthetic use of reinforced concrete, a material that proved to have superior seismic performance in the 1906 and 1989 earthquakes. She embraced the Arts and Crafts Movement and used various producers of California pottery to adorn her buildings. She sought to reconcile classical and Craftsman, scholarship and innovation, formalism and whimsy.
Julia Morgan was the first woman to receive the American Institute of Architects highest award, the AIA Gold Medal, posthumously in 2014.
Charles Follen McKim: Creating an Architecture for America
By Dr. Richard Guy Wilson March 5, 2023, 3:00 p.m.
Charles Follen McKim (August 24, 1847 – September 14, 1909) was an American Beaux-Arts architect of the late 19th century. Along with William Rutherford Mead and Stanford White, he provided the architectural expertise as a member of the partnership McKim, Mead & White.
Dr. Richard Guy Wilson is one of America’s best-known experts on historic architecture. He is the Commonwealth Professor in Architectural History at the University of Virginia and has received numerous awards, including the university’s Outstanding Professor award in 2001.
In addition to his success in the academic realm, Wilson has been a TV commentator for PBS and A&E, including America’s Castles, served as a curator for museum exhibitions and published 16 books, including The American Renaissance, McKim, Mead & White, Architects and Edith Wharton at Home.
Daniel Burnham and the City Beautiful Movement
By Dr. Kristen Schaffer March 12, 2023, 3:00 p.m.
Danial Hudson Burnham FAIA (September 4, 1846 – June 1, 1912) was the American architect responsible for overseeing the construction of some 150 buildings as the director of works at the World’s Columbian Exposition, Chicago (1893).
The long-term effects of Burnham’s work in the World’s Exposition resulted in a demand for comprehensive urban planning. This idea formed the City Beautiful movement, which encouraged civic pride and engagement while designing cities.
Burnham’s later work included architectural solutions for upcoming issues, such as the boom of population growth in Chicago. Most importantly, Burnham proposed the availability of parks for all citizens within walking distance.
Carrère and Hastings: Perhaps If Not for Henry Flagler
By Dr. Laurie Ossman March 19, 2023, 3:00 p.m.
In 1902 the New York Herald proclaimed Whitehall as, “more wonderful than any palace in Europe, grander and more magnificent than any other private dwelling in the World.” Flagler built the home as a wedding present for Mary Lily Kenan Flagler. Carrère and Hastings, who designed Flagler’s Hotel Ponce de Leon, studied at the École des Beaux-Arts in Paris and went on to design many Gilded Age landmarks.
Dr. Ossman is an architectural historian having also worked in curatorial and preservation roles at Vizcaya, Ca’d’Zan, the Flagler Museum, and Monticello, prior to her current position at Woodlawn Plantation and Pope-Leighey House in Mt. Vernon, Washington D.C. She is the author of a book on Carrère and Hastings, The Masterworks, published by Rizzoli International Publications.